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Ontoria, Mercedes
(2011)
Las grandes transparencias: Dada y surrealismo en los libros-collage de Julio Cortázar, [Dissertation thesis], Alma Mater Studiorum Università di Bologna.
Dottorato di ricerca in Iberistica, 23 Ciclo.
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Abstract
The topic of this research is to demonstrate the technical and conceptual connections which can be seen between the style adopted by the Argentinean writer Julio Cortázar (1914-1984) in his “collage” books La vuelta al día en ochenta mundos (1967) and Último round (1969) and with the avant-garde art movements Dada and Surrealism.
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