Zhu, Yuqing
(2024)
Design innovation for illustrators and art amateurs: a system mapping of shared atelier for chinese artists, [Dissertation thesis], Alma Mater Studiorum Università di Bologna.
Dottorato di ricerca in
Architettura e culture del progetto, 36 Ciclo.
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Abstract
This research study investigates the intrinsic needs of Chinese illustrators and art amateurs, employing advanced design methods to enhance their learning and life experiences. Focused on overcoming information access disparities in illustration knowledge, the research addresses the challenges faced by Chinese illustrators, considering factors such as stress, economic anxiety, and identity issues. The study delves into the demands of illustrators with overseas study backgrounds and those within China, shedding light on the industry’s rapid development amid a lack of mature cases in illustration education platforms. The literature review delves into cutting-edge discipline research and pertinent issues in illustration education, while case studies explore 12 globally recognized illustration platforms. Design research methods, including questionnaires, interviews, and co-design workshops, involve 109 surveyed illustrators, identifying five major needs: knowledge parity, alternative income sources, supportive art communities, interdisciplinary learning, and non-commercial art practices. Utilizing the survey results, the design phase employs advanced concepts and the C.R.I.C.C. system as a template to create innovative outputs, including the Illustration Knowledge Tree Model, the Candy Model, and a system mapping. These outputs aim to establish a systematic illustration knowledge structure, facilitate a positive cycle of illustration knowledge exchange between China and international communities, and visually represent relationships within the illustration knowledge system. The discussion and conclusion emphasize three key contributions: the identification of five major needs through design methods, the application of advanced design to Chinese illustrators and art amateurs, and the construction of the Candy Model, envisioning a new cycle for illustration knowledge. The Illustration Knowledge Tree Model enhances the systematic structure of illustrator knowledge, collectively revitalizing the stagnant system and contributing to the advancement of the illustration field.
Abstract
This research study investigates the intrinsic needs of Chinese illustrators and art amateurs, employing advanced design methods to enhance their learning and life experiences. Focused on overcoming information access disparities in illustration knowledge, the research addresses the challenges faced by Chinese illustrators, considering factors such as stress, economic anxiety, and identity issues. The study delves into the demands of illustrators with overseas study backgrounds and those within China, shedding light on the industry’s rapid development amid a lack of mature cases in illustration education platforms. The literature review delves into cutting-edge discipline research and pertinent issues in illustration education, while case studies explore 12 globally recognized illustration platforms. Design research methods, including questionnaires, interviews, and co-design workshops, involve 109 surveyed illustrators, identifying five major needs: knowledge parity, alternative income sources, supportive art communities, interdisciplinary learning, and non-commercial art practices. Utilizing the survey results, the design phase employs advanced concepts and the C.R.I.C.C. system as a template to create innovative outputs, including the Illustration Knowledge Tree Model, the Candy Model, and a system mapping. These outputs aim to establish a systematic illustration knowledge structure, facilitate a positive cycle of illustration knowledge exchange between China and international communities, and visually represent relationships within the illustration knowledge system. The discussion and conclusion emphasize three key contributions: the identification of five major needs through design methods, the application of advanced design to Chinese illustrators and art amateurs, and the construction of the Candy Model, envisioning a new cycle for illustration knowledge. The Illustration Knowledge Tree Model enhances the systematic structure of illustrator knowledge, collectively revitalizing the stagnant system and contributing to the advancement of the illustration field.
Tipologia del documento
Tesi di dottorato
Autore
Zhu, Yuqing
Supervisore
Co-supervisore
Dottorato di ricerca
Ciclo
36
Coordinatore
Settore disciplinare
Settore concorsuale
Parole chiave
Advanced Design; Illustration Knowledge; Viusal Art Education; Chinese Artist; Design Innovation
Data di discussione
17 Giugno 2024
URI
Altri metadati
Tipologia del documento
Tesi di dottorato
Autore
Zhu, Yuqing
Supervisore
Co-supervisore
Dottorato di ricerca
Ciclo
36
Coordinatore
Settore disciplinare
Settore concorsuale
Parole chiave
Advanced Design; Illustration Knowledge; Viusal Art Education; Chinese Artist; Design Innovation
Data di discussione
17 Giugno 2024
URI
Gestione del documento: